I've been a little rocked lately. Spinning on a different axis.
I don't like it.
The littlest tasks, things that I'm passionate about in theory, take an unbelievable effort. The thing is, I'm not tired of this business. If anything, I'm desperate to jump in the deep end, but I can't climb the stairs to the diving board without getting out of breath.
Most of this is due to the one big elephant in the corner of my body. The elephant is scheduled to be transported to a new location as early as Tuesday next week, or as late as December 14th. Until the beasts removal, distance training is out of the question. I guess until then, I am running sprints. Hopefully each sprint takes me closer to the other side of this valley I've been dropped in, until I can see the other side.
Here are the sprints for this week.
1. Finish the read that is currently on my virtual desk and send off notes.
2. Sharpen ideas for Crazy 8s pitch and decide on front runners.
3. Connect with the two people I've been wanting to see, regarding something we ARE very excited about.
4. Decide who, out of the many MANY Movember candidates I know who are scruffing it up for a worthy cause, will receive my donation.
5. Eat Pho. Twice.
I suppose I could try to inject more analogies into this post, but I love my 18 followers, and am hoping for numbers 19 and 20 in the next week, so I'll play it safe. Until then, send me an encouraging sprint-worthy /CHEER, and then go visit me over at The Future Ex Waitress, and send me your script - I still have one spot left for a read with notes!
Time for Pho #1. Peace!
A little fish in a big sea of writers, trying to navigate the current of the film and television industry. Underestimation is a bad choice.
Showing posts with label Help. Show all posts
Showing posts with label Help. Show all posts
Monday, November 15, 2010
Tuesday, January 5, 2010
Five Questions About Spec'ing a Series
It's a Tuesday morning, I have my coffee and exactly 17 minutes and I'm going to milk you for answers. Here are five questions I have while preparing to write a spec (or two?) of an existing television show:
1. How old is too old? I realize the show needs to be on the air, but is there a limit to what season it should be in? If its running into a fifth or sixth is it nearing an expiry date?
2. How do you avoid bad buzz? Every source I've pestered for answers so far has used the word "buzz" in relation to a successful spec. "The show you choose needs to have the right kind of buzz." The problem is that the geek world in which I so lovingly exist buzzes about a lot of things that the mainstream world doesn't. How can I be sure I'm following the correct stream?
3. Where should my story fall? Is it imperative that my spec fall chronologically in time with the show's most recent episodes? Are there any downsides to writing an episode that fits into, say, the second season instead of the fourth? How do you choose the acceptable time to insert your spec?
4. How much leeway do I have? I've been told that creating a new character is a no-go unless they are restricted to the one episode. How much leeway do I have with other creative devices? Ex: Using a narrative VO when the show doesn't usually have one?
AND FINALLY
5. How important is genre? Drama is my passion, and therefore I am choosing to spec a dramatic series. Is it arrogant to also write a comedy spec as a fallback? Some forums say choose a lane, others say try everything. Am I shooting myself in the foot by appearing undecided with a mix of genres?
So help a newbie out. Dish out the dirt. Everything you know about writing a spec of an existing show. I'll bake you cookies!
1. How old is too old? I realize the show needs to be on the air, but is there a limit to what season it should be in? If its running into a fifth or sixth is it nearing an expiry date?
2. How do you avoid bad buzz? Every source I've pestered for answers so far has used the word "buzz" in relation to a successful spec. "The show you choose needs to have the right kind of buzz." The problem is that the geek world in which I so lovingly exist buzzes about a lot of things that the mainstream world doesn't. How can I be sure I'm following the correct stream?
3. Where should my story fall? Is it imperative that my spec fall chronologically in time with the show's most recent episodes? Are there any downsides to writing an episode that fits into, say, the second season instead of the fourth? How do you choose the acceptable time to insert your spec?
4. How much leeway do I have? I've been told that creating a new character is a no-go unless they are restricted to the one episode. How much leeway do I have with other creative devices? Ex: Using a narrative VO when the show doesn't usually have one?
AND FINALLY
5. How important is genre? Drama is my passion, and therefore I am choosing to spec a dramatic series. Is it arrogant to also write a comedy spec as a fallback? Some forums say choose a lane, others say try everything. Am I shooting myself in the foot by appearing undecided with a mix of genres?
So help a newbie out. Dish out the dirt. Everything you know about writing a spec of an existing show. I'll bake you cookies!
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