Friday, April 17, 2009

Its That Time Again: Logline Extravaganza!

Its a rainy Friday morning and I'm basking in the 1.5 hours of online bliss before I head in to work. I've decided to revisit my previous exercise of five loglines to keep me busy. Perhaps I'll make this a weekly thing. Five Logline Friday has a nice ring to it (though it sounds highly ambitious one cup of coffee in). Visit this PREVIOUS POST to compare and contrast today's ideas with the previous. Here goes:

1. OVERSHARE: Jane, a seasoned commuter, passes her time eavesdropping on the transit passengers around her, listening to their phone calls and imagining their lives. One morning she hears the private intentions of a passenger who has plans to kill herself that night. When the passenger disembarks suddenly, Jane feels compelled to go after her and keep her from her dark plan.

2. UNDEAD EVOLUTION: It is 2027. The human race have been subject to a violent plague and all have become the walking dead. Starvation is imminent, until one zombie child develops an awareness, an understanding of her surroundings. The need to feed becomes secondary to the need for survival, and the evolution of the undead begins.

3. THE SWAP: Bored with their domestic responsibilities, a group of housewives in the fifties start a program where working women can experience the domestic life for a day, and they will take over the office responsibilities. Breaking the barriers between career woman, and domestic goddess, the role sharing results in comedy, and an awareness to a new kind of life.

4. CHARISMA: Some people are simply too charming for their own good. Ellie is one of those people. Every time she opens her mouth, she makes a new friend. Her advice is highly sought after and her phone is always ringing. When Ellie begins a new job, her new admirers begin to cross the line from over-friendly to over-bearing. Ellie decides to take a vacation, only to be hotly pursued by those who want a piece of her, and they will do anything to get the piece they want.

Wow, those took longer than I had anticipated, and I only got four. Remind me next time that this exercise is not conducive to the morning. I will edit post when I can extract the fifth one from my brain. On another note, I'm aware that these are not my best work, but it is worth the posting humiliation to stir the creative molasses into gingerbread.

Wednesday, April 15, 2009

Exploring the Scary

After my last post on cheap scares and tears, I've been itching to explore certain elements that make a movie scary. Furthermore, how to amp up the scare factor to spine-tingling, bone-chilling and eventually out right terrifying. I have an inkling that a lot of the scare factor depends on one's personality and receptiveness to differing tactics, however, there seem to be some tried and true methods. I've covered several below, please feel free to nudge me with pushy comments if I've left out a favorite.

First, "The Cheap Scare" (see my previous post for more detailed coverage). This tactic relies on a combination of music, timing and suspense. We all know its coming, and that is the beauty of it. The suspense of that knowledge without the key of knowing the precise moment amps up the scare factor. It is a similar feeling to anticipating the initial drop on a roller coaster. You know its coming, but you can't fully prepare yourself for the sensation.

Next is "The Grotesque Factor". Generally entailing blood spatter of some kind, copious entrails, or zombies chewing on a misplaced limb of some sort. The grotesque factor is for movies whose primary purpose is to disturb you into being afraid. The fact that this extreme disgusting-ness is taking place anywhere, even on your 2-D 42" LCD screen is just too much, and you are sufficiently freaked. This tactic is specifically targeted towards those with weak stomachs. Rob Zombie seems to be a master of such films. I try to stay away from films that employ this tactic, for the well-being of others around me.

Another tried and true is "No Escape". This one is primarily used in Zombie movies (and is also my biggest weakness). It plays on the underlying fear of being trapped. You may feel that fear in relation to a dead-end job, or due to the padded room that you recently left behind; no matter the circumstances everyone is subject to this fear at some point. For some, myself included, the feeling that there is no escape, and no viable option for success is terrifying. Zombie movies encompass this best of all since zombies have the potential to be anywhere that humans have been or will go. Also, anyone around you could become one of them at any moment, and ultimately, so could you. There is no trust, no solace, just chaos and failure...excuse me while I go cower in the bathtub.

OK, back now. The last tactic I will cover today (though this is by no means a comprehensive list) is "It Could Happen to You". This tactic is more of a subtle art. The goal is to make the story line close enough to real life that you begin to look over your shoulder, expecting the worst at any moment. This device usually employs a character who is encountering a spot of bother in their day-to-day life. A bullied student or a single mother, for instance. The story then puts them through the ringer with some sort of super-villain, crazed killer, or supernatural entity; ultimately ending with either their triumph, where they realize they are stronger than they ever knew; or their untimely demise. The reason this tactic works is because these are the events we view on the six o'clock news. Granted, they are generally less graphic, with less sharp pointy things and witty dialogue, but therein lies the entertainment factor. We begin to believe that if we are a victim of circumstance in one area of our lives, then we are also subject to a psychopathic next door neighbor who kills for nothing less than a pint of sugar (does anyone say pint anymore without referencing beer?). Even though these cases are few and far between, realistically, who doesn't like to believe they're special and deserving of a super-stalker from beyond the grave?

Alright, I'm spent. Your turn. Any other sublime scare tactics I've failed to discuss?

Wednesday, April 8, 2009

From Cheap Scares to Cheap Tears.

I used to have one main concern in my movie watching. I'm sure you're familiar with it. You're at the movies with your date. He wanted to see "The Haunting in Connecticut" and you jumped at the chance since you dig him, even though you secretly were all over "He's Just Not That Into You" for the third time. You're in the theater, holding your popcorn, wishing you hadn't ordered the large iced tea. You know beyond a shadow of a doubt that the creepy violin music means that the bad guy is going to jump out from behind the next object that comes into frame. You cross your legs, you're really feeling that iced tea. The problem is that you cannot pinpoint the exact millisecond that the music will THRUM and the camera will ZOOM, and you will jump, spilling your popcorn on your date, and peeing your pants just a little bit. This is the moment, my worst nightmare, the cheap scare. You know its coming but the timing is dicey and it gets you every time.

There is now a new moment that puts my risk of theater embarrassment through the roof. I'm dubbing it "The cheap tearjerker". Usually appearing in a longer than necessary drama, or the ever thriving chick flick, the writers pair with the casting team to attach you to a character, usually a hard done by woman, young child, or sometimes even an animal. They put said character in a situation specifically designed to trigger a release of pity pheromones throughout the atmosphere. Then they add just the right touch of emotion enhancing music. The feeling permeates the theater. Add in the fact that your boss yelled at you the previous day and you dented your fender when you parked, and you are done. The tears well up and no amount of staring at the wall lamps can stop them from leaking down your face. Your date looks over at you and your makeup mess is further enhanced by a blush of shame. You are thanking the theater gods for the dark when you hear a rustle of purses being opened, and noses being blown. At least there is solace in the fact that you are not alone. You now have the reputation of being "sensitive" and everyone in your Twitterverse will be aware that you cried in Wall-E by the time you reach the water cooler tomorrow.

All that being said, I'm clearly going to use both of these tactics in my writing-- or at least in my first drafts.

Monday, April 6, 2009

Social Media Un-Savvy

So, in an attempt to develop my web presence I have added Twitter updates to my blog, and blog updates to my Twitter feed. Yes, I am currently cross-eyed. Part of me wonders how long I'll be able to limp by with my limited knowledge of the four-eyed monster that is the internet. Is it sad that I'm only 26 and lacking the knowledge to function at full capacity online? I grew up with the internet - I'm generation "A" here, and yet I'm daily falling behind.

Perhaps the internet has a system similar to dog years. For every year, post high school, that you age in RL (that's "real life" for all you who aren't down with the made up acronyms), you age 2 years online. So since I graduated 8 years ago, I've aged 16 online years; therefore, in terms of my internet savvy, I'm nearing middle age.

Maybe the frenzied Googling of feed-linking intructions has made me crazy. No more theories for today.

Wednesday, March 25, 2009

Double Dreams

Last night I had two dreams. In both instances I was grabbed from behind by a stranger on the street. In the first instance I managed to fight my way free and ran over to some security guards who were sitting in a corner. They did not stand up, only began leisurely questioning the stranger and I had to run on my own. In the second instance, after I freed myself from his hold he began following me and yelling. I called the police and the officer's response was "boys will be boys".

Clearly not an expert at any sort of dream analysis, I turned to the layman's favorite tool for misinformation - the Internet - where I was told that dreaming of being attacked means that you have stress or uncertainty in your waking life. Really? Is that the best they can do? Anti-climactic is the theme for the day. I think the thing that surprised me the most was that the dreams took place one right after the other, and practically mirrored each other. In both instances I was grabbed from behind. In both instances I wrestled myself away. And in both instances I sought help from a higher authority who did nothing.

How does this link to my writing? I'm not certain, but I feel like the connection is there. Maybe after several hours of wakefulness (and copious amounts of caffeine) I will be able to find a use for my overactive subconscious.

Wednesday, March 18, 2009

Penning Correspondence

I wish people still wrote letters.  More to the point, I wish I still wrote letters.  To friends, to family.  I feel like my life has been fast-tracked by technology, especially of late.  Thanks to Facebook and Twitter (both of which I admittedly use religiously) people know the news far before they'd receive a letter.  To the point where the effort to open the letter could almost count as an archeological expedition due to how ancient the news is by the time the letter is received.

That doesn't stop me from wishing there was a way to reintroduce the art of letter writing back into my life.  Anyone need a pen-pal?